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TPM: How The Obama Camp Should Respond
Once again, Josh Marshall is politically astute; their best weapon against Sarah Palin is Hillary Clinton.
John Kerry, Bad-Ass Biker
“But man…O’ man…John Kerry descended like he stole the friggin’ bike from the GOP.”
danah on Palin
“As a woman, I’m offended by John McCain’s decision to select Alaska Governor Sarah Palin as his running mate.”
Deliciously Invasive
Debs’s blackberry stories (and blackberry pie recipe) make Mark Bittman’s NYT blog!
John McCain Doesn’t Know How Many Houses He Owns
“I think—I’ll have my staff get to you … It’s condominiums where—I’ll have them get to you.”
America’s Next Vice
The Medium Lobster is now writing for the Guardian?
danah on Knol: “content w/out context, collaboration, capital, or coruscation”
See also Doc; Knol is a community site without community.
Vimeo Commits Suicide
Insulting and expelling their biggest users in a Friendster-esque move.
Always Use Zipcode
Experimental postal hacking.
The iPod of Babel
12 November 2005
I have a lot of film music on my iPod. Film music has a number of important characteristics, to wit:
ONE. Most film music has no lyrics.
(2) Many composers have a roughly consistent sound from film to film.
Third. Many scores contain a great many tracks per CD. Twenty or more is not at all uncommon.
Thus, my iPod contains a great many tracks that I can recognize as being by a particular composer but can’t identify with more specificity. I’m doing well if I can identify the film from hearing the music. If I hear a track in shuffle mode and can’t place it, I just glance at the display screen. Except that there are times when I can’t. You see, I listen most to Pinky (what else is white and unpredictable?) while I’m driving.
While I could in theory go back later and go back through the previously-played songs, more times than not, while trying to skip ahead songs that I don’t care to listen to (quiet string passages don’t come through well at all over the roar of the road), I manage to get lost in the menu system somewhere. (I am, after all, working it one-handed without looking at it.) That means to get the music back, I need to navigate back up to the top level and start it on song-shuffle again. Which conveniently overrides the old shuffled order.
Result: instant amnesia. Do you understand how long it would take to hear the track again on pure shuffle? The mind-boggling quantity of music on one of these things really does mean you’re not going to hear the same particular cut again anytime soon. It’s a little disconcerting that the music is right there and yet there’s no easy way to get it back.
UPDATE: Steven points me to the “Recently Played” playlist. Yep, I guess that settles it. Plus one for practicality, minus one for the poetic sense of loss.